是一部关于Jacques Demy 的《[http://www.imdb.com/title/tt0062873/ 洛城少女]》（Demoiselles de Rochefort，1966）的纪录片，片中混合了当初拍片的现场纪录和二十几年后Rochefort当地为影片庆生的实况 In 1967, the phenomenally successful director of the films Lola and the groundbreaking musical Les Parapluies de Cherbourg, Jacques Demy, arrived in the little port town of Rochefort and, together with his art director, decorated the whole town in cheerful, almost surreal fashion for the filming of his next musical, Les Demoiselles de Rochefort. This enormously well-received film, packed with songs which became integral to French popular culture, put the little town of Rochefort "on the map." Twenty five years later, a lot of things have changed except for the fond memories of the people who worked on the film, and of the townspeople. In this celebratory documentary, Agnes Varda, the wife of Jacques Demy, brings some of the players and extras together back in Rochefort for some reminiscences. In keeping with the thoroughly romantic nature of the musical, she also tells the story of how Les Demoiselles de Rochefort's extras found romance and had their lives changed by participating in its making. The present-day story is highlighted by clips from the earlier film, and from a documentary of the period showing how it was made. ~ Clarke Fountain, All Movie Guide
非好莱坞最佳歌舞片，但我最不满意的地方就是请了俩好莱坞男星出演
arrivee des camionneurs最后一段旋律就能让人忆起洛城少女，还有那些我爱的法国电影人啊：德米、德纳芙、朵列、雅克贝汉、Micheal Legrand
可能我看这片时的惊喜与当时全镇人拍电影时的喜悦与瓦尔达拍二十五周年纪念的感慨都是电影传递给观众与创作人的同一种情感
行云流水的叙事和摄影、转折起伏又俗不可耐的剧情、隽永绵长的配乐、法国各大城市掠影以及强烈的水手情结、影史级别的片头片尾设计，这些或许都是我爱德米电影的理由，虽然我只看过他四部影片，但也足够了，有人或许不喜欢他的作品，但不能否认这几部都难以忘记
与好的作品相遇是种运气，一年来我观影量减少了许多，像此片那种真正打动人的作品也越来越难见到，或许是随着观影量的增加我的标准高了许多，又或许是我老了，愿我和电影永远二十五岁，在未来继续相遇、流连、铭记